Composer

David is pleased to announce the completion of a new choral work, a setting of the Medieval poem There Is No Rose.

Railway Redemption, a biopic that David scored for Third Channel last year, has been accepted to been screened at several film festivals.

David's latest composition, The Water Of Life, is now available from the online shop.

Sunday saw the premiere of Ye Are Of God, a new choral work written for the chapel choir of St Edmund Hall in the University of Oxford.

David has been commissioned to compose a new anthem for the chapel choir of St Edmund Hall in the University of Oxford.

David has just finished composing the score for the biopic Railway Redemption by London-based film company Third Channel.

David has recently finishing composing the incidental music for the world première of Churchill's Children by Lita Doolan, which is being performed this weekend at Upstairs at Three and Ten at the Brighton Fringe and has already been listed as one of the top recommended shows by Fringe Review.

David recently finished work on the music for the world première of Shiverman by the New York playwright James Sheldon, which is currently being performed at Theatre 503 in Battersea, south London. Working again with Primavera Productions, with whom he recently composed the scores for the critically acclaimed Murder in the Cathedral and Antigone, the play has already received excellent reviews and two nominations for the Off West End Awards, including Best New Play.

David recently completed work on a new musical score for a production of Robert Bolt's Tony Award-winning A Man For All Seasons at the church of St Mary the Virgin, Oxford, this autumn. Within the atmospheric setting of Oxford's University Church - the actual location of the trial of Archbishop Thomas Cranmer, one of the play's antagonists - this spectacular story is due to come to life and explore the finer details of the contentious relationship between church and state within the context of historic upheavals and cruel punishment.

David has just begun working on the score for Fiendish Media's latest film, Forbidden, which tells an alternative story of the Garden of Eden. Considering what might have happened in the days of Genesis, the story explores the possible scenario that played out between the first man and woman and the Devil himself.

The music for the film is drawing upon suspense and horror traditions, mixed with influences of Gregorian plainchant and religious choral music, with the idea of creating a score that preludes the Fall and the history of the evil of humankind that followed.